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Adobe premiere pro cs5 manuale italiano pdf free download

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Adobe premiere pro cs5 manuale italiano pdf free download


You can continue changing fonts until you find the right one. Page For vertical text, leading is measured from the center of one line of type to the center of the next line.

In Adobe Title Designer, the baseline is the line underneath the text. You can apply more than one leading amount within the same paragraph; The value indicates the percentage of character Tracking width between the specified range of characters.

The direction of the text tracking is based on the justification of the text. The Titler includes standard pen tools that resemble those used in Adobe Illustrator and Adobe Photoshop. In the Title Properties panel, click the triangle next to Properties to expand its list, and then choose an option from the Graphic Type menu.

In general, extend the direction line about one third of the distance to the next anchor point you plan to draw. Page You can either add the image as a graphic element or place it in a text box to become part of the text.

The Titler accepts both bitmap images and vector-based artwork such as art created with Adobe Illustrator. For example, for a vertical distribution option, the selected objects are distributed between the highest and lowest selected objects. These properties include strokes, fills, sheens, textures, and shadows. You can save a combination of properties as a style. Styles appear as buttons in the Titler Styles panel, allowing you to apply favorite property combinations to objects easily.

To add a texture, specify a vector or bitmap file for example, an Adobe Photoshop file , or use one of several textures included with Adobe Premiere Pro. Select the object. You can add both inner strokes and outer strokes. Inner strokes are outlines along the inner edge of your objects, and outer strokes are outlines along the outer edge. You can add up to 12 strokes to each object.

Because Adobe Premiere Pro stores each style or set of styles as a separate file, you can share styles with other users. If you share styles, make sure that the fonts, textures, and background files used are available on all systems. Titler Styles panel To create a style Select an object that has the properties you want to save as a style. All styles visible in the Styles section are saved. Specify a name and location for the style library file and click Save.

Adobe Premiere Pro saves style library files with the extension. Start Off Screen Specifies that the roll continues until the objects are out of view. End Off Screen Specifies the number of frames that play before the roll begins.

Page Animating Effects Chapter Animation Animating effects About keyframes Keyframes are used to create and control animation, effects, audio properties, and many other kinds of change that occur over time. A keyframe marks the point in time where you specify a value, such as spatial position, opacity, or audio volume. In the Timeline panel, you can see keyframes by expanding the track and choosing the appropriate track viewing options. Value graph B.

For video and audio effects, the Timeline panel can display the keyframes specific to each clip. Page A. Track effect properties B. Keyframe graph C. Audio track keyframes D. Video clip keyframes E. You can also drag the boundaries above and below the track name to increase the track height. Make sure you have a sequence with clips in the Timeline panel. By default, the Fixed effects Motion, Opacity, and Volume are applied to clips in the video and audio tracks. Keyframe navigator in Effect Controls panel B.

Current-time indicator C. Keyframe navigator in Timeline panel To select keyframes If you want to modify or copy a keyframe, first select it. Unselected keyframes appear hollow; selected keyframes appear solid. You increase or decrease values by dragging keyframes vertically.

When working with keyframes graphically in the Timeline panel, be aware of how the With this option selected, Adobe Premiere Pro only creates keyframes at the points that represent an increase in value from the beginning 0 dB and ending —12 dB keyframes.

Page The keyframes remain selected after pasting, so you can fine-tune their location in the Timeline panel. You can paste keyframes only to a clip or track that displays the same property as the copied keyframes. Also, Adobe Premiere Pro can paste keyframes at the current-time indicator on only one clip or track at a time. Because the In digital video and film, this usually means generating new values between two keyframes. Creates a smooth rate of change through a keyframe.

However, unlike the Auto Bezier interpo- Continuous Bezier lation method, Continuous Bezier lets you adjust direction handles manually. If you drag the handles, the keyframe changes to Continuous Bezier.

Note: Do not confuse the anchor point of a clip with anchor points created with the Pen tool in the Adobe Title Designer. When you click the Transform icon next to the Motion effect in the Effect Controls panel, handles appear on the clip in the Program Monitor that let you directly manipulate the clip and adjust the Motion effect properties. Page Working With Effects Working with effects Adobe Premiere Pro includes a variety of audio and video effects that you can apply to clips in your video program.

An effect can add a special visual or audio characteristic or provide an unusual feature attribute. For example, an effect can alter the exposure or color of footage, manipulate sound, distort images, or add artistic effects. Page Bezier curves in the Effect Controls panel.

You can expand the repertoire of effects by adding compatible Adobe plug-in files or plug-in packages available through other third-party developers. If you purchased additional effects, purchased Adobe Premiere Pro as part of a hardware package, or removed files from the Plug-ins folder, you may have a different set of effects than those described in Adobe Premiere Pro Help.

Effects bins B. Custom bin C. Audio effect D. Audio transition E. Video effect F. Video transition G. Effects panel menu H. Search text box I. Transitions bins J. New Custom bin K. Delete Custom Item If the clip is selected in the Timeline panel and the Effect Controls panel is open, you can drag the effect directly to the Effect Controls panel. Fixed effects are included with every clip: the Motion and Opacity effects are listed in the Video Effects section and the Volume effect is listed in the Audio Effects section.

Reset Effect button B. Page Eyedropper tool selects a one pixel area. Ctrl-clicking an Eyedropper tool samples a 5 x 5 pixel area. Page Note: If you have placed the same item in several different custom bins, and you delete that item from one bin, Adobe Premiere Pro deletes each occurrence of the item from the custom and preset bins, and deletes each item from all clips that it affects.

Adobe Premiere Pro nests each new presets bin in the root Presets bin. Page Video Limiter with the other Color Correction effects. For a tutorial on correcting color, go to Resource Center on the Adobe website. To set up a Color Correction workspace The following is a suggested procedure for setting up your color correction workspace.

If possible, choose Highest Quality. If your computer performance suffers, then choose Automatic Quality instead. Move the Reference Monitor where you can see it and the Program Monitor easily. You can choose Tonal Range from the Output menu to view the tonal ranges you defined. Once defined, choose from the Tonal Range menu to restrict the color corrections to a specific tonal range.

Page Like using the White Balance control, these adjustments affect all the colors in the clip. Note: You can also click the color swatch next to the eyedroppers and use the Adobe Color Picker to select a sample color.

Color balance is just what its name implies, balancing the red, green, and blue components to produce the desired color of white and neutral grays in the image. The same adjustments can be made by entering numeric values or using the slider controls in the Fast Color Corrector and Three-Way Color Corrector effects.

Note: The Three-Way Color Corrector effect lets you make separate adjustments to the three tonal ranges using individual wheels for the shadows, midtones, and highlights. Use the Eyedropper tool or the other Secondary Color Correction controls to specify the colors to correct. Page Black Level eyedropper Program Monitor that you want to be the darkest value in the image. You can also click the color swatch to open the Adobe Color Picker and select a color to define the darkest shadow in the image.

Page About the Adobe Color Picker You select a color in the Adobe Color Picker either by choosing from a color spectrum or by defining the color numerically. You can use the Adobe Color Picker to set target colors in some color and tonal adjustment effects. Selected color B. Color field C. Color slider D. Original color E.

Adjusted field F. Color values To define the tonal ranges in a clip The Luma Corrector, RGB Color Corrector, and Three-Way Color Corrector effects let you define the tonal ranges for the shadows, midtones, and highlights so you can apply a color correction to a specific tonal range in an image.

Page Select the Eyedropper tool and click the color you want to select in the Program Monitor. You can also click anywhere in the workspace to select a color, or click the color swatch to open the Adobe Color Picker and select a color.

These controls fine-tune the range of color specification. Optional Choose Mask from the Output menu to view the areas selected for adjustment. Page Master. Note: You can also click the color swatch next to an eyedropper tool and use the Adobe Color Picker to select a color.

Select the Target eyedropper with the same parameter as the Sample eyedropper. Click an area in the Program Monitor that represents the color information or attribute that you want to correct.

Set up your workspace for color correction. Page Move the pointer into the Clip Sample the pointer turns into an eyedropper and click to select a color. The selected color appears in the Output Sample. Page Shines light in all directions from directly above the image—like a light bulb over a piece of paper. Omni Casts an elliptical beam of light. You can directly manipulate the position, scale, and rotation of a light by dragging its handles and Center circle Note: If you have more than one light, Center circles for each light appear in the Program Monitor.

Page About the vectorscope and waveform monitors Adobe Premiere Pro has a vectorscope and waveform monitors YC Waveform, YCbCr Parade, and RGB Parade to help you output a video program that meets broadcast standards and also assist you in making adjustments based on aesthetic considerations, such as color corrections.

Saturation is measured from the center of the chart outward. Saturated, vivid colors produce a pattern some distance from the center of the chart, while a black-and-white image produces only a dot at the center of the chart.

IRE units B. Luminance green waveform C. Chrominance blue waveform D. Range of signal components The YC Waveform has the following controls: Adjusts the brightness of the waveform display. It does not affect the video output signal. Values B. R waveform C. G waveform D. B waveform E. Page Gallery of effects Gallery of effects The samples below illustrate just some of the video effects included with Adobe Premiere Pro.

To preview an effect not in this gallery, apply it and preview it in the Program Monitor. Original image Page Adjust Effects For example, if you set Temporal Smoothing to 1 second, Adobe Premiere Pro analyzes the frames 1 second before the displayed frame to determine the appropriate adjustments. If you set Temporal Smoothing to 0, Adobe Premiere Pro analyzes each frame indepen- dently, without regard for surrounding frames. The center point of each slider is neutral and indicates no change.

Page For example, if you set Temporal Smoothing to 1 second, Adobe Premiere Pro analyzes the frames 1 second before the displayed frame to determine appropriate shadow and highlight adjustments. If you set Temporal Smoothing to 0, Adobe Premiere Pro analyzes each frame independently, without regard for surrounding frames. Shadow Tonal Width and Highlight Tonal Width Lower values restrict the adjustable range to only the darkest and lightest regions, respectively.

Higher values expand the adjustable range. You can specify that the blur is horizontal, vertical, or both. Use this effect for glow effects or if you want a blur that does not become transparent near the edges of the clip. Gaussian refers to the bell-shaped curve that is generated by mapping the color values of the affected pixels. You can use images from 3D programs or stereoscopic cameras as sources for each view. The method you use to create the combined images dictates how you view them.

Setting a high value reduces the overall contrast. If this option is not Clip Result Values selected, some color values may wrap around from on to off, or vice versa. Page Cineon Converter effect The Cineon Converter effect provides a high degree of control over color conversions of Cineon frames.

To use the Cineon Converter effect, import a Cineon file and add the clip to a sequence. The Compound Arithmetic effect is intended only to provide compatibility with projects created in earlier versions of After Effects that use the Compound Arithmetic effect. This creates traveling matte effects. Note: The Set Matte effect was originally from After Effects and intended only to provide compatibility with projects created in earlier versions of After Effects that use the Set Matte effect.

You can also click the color swatch to open the Adobe Color Picker and select a color to define the white balance. You can also click the color swatch to open the Adobe Color Picker and select a color to define the black, midtone gray, and white. Page — Eyedropper tool to subtract from the color range. You can also click the swatch to open the Adobe Color Picker and select the center color. Specify the color range to be corrected by hue, saturation, or luminance. Click the Page – Eyedropper tool to subtract from the color range.

Defines the tonal range of the shadows, midtones, and highlights in a clip. Drag the square Tonal Range Definition sliders to adjust the threshold values. Click the Hue, Saturation, and Luma triangle next to the option name to access the threshold and softness feathering controls to define the hue, saturation, or luminance range.

You can produce a number of different wave shapes at various sizes and rates. Specifies the background color. Fill Color Makes the background transparent so that underlying tracks are visible. Soft works well at large magnification amounts. Page Specifies the degree of transparency of the image, in percentages. Both controls are adjusted only in Adobe After Effects. Turbulent Displace effect The Turbulent Displace effect uses fractal noise to create turbulent distortions in an image.

Turbulent, Bulge, and Twist warp the image in slightly different Displacement directions. The amount of time allowed between evolution keyframes determines the timing or speed of these evolution cycles. The back of the image is actually a mirror image of the front. This effect is most useful as a transition where you would like to have a high-quality, textured page peel effect to reveal an underlying frame.

You cannot keyframe this effect. Change Color effect The Change Color effect adjusts the hue, saturation, and lightness of a range of colors. These options include tolerance sliders for hue, lightness, and saturation for exact color matching, and the ability to select the exact RGB values of the target color that you wish to change to.

Specifies the brightness of the image. Negative values Saturation decrease saturation, with converting the clip to grayscale. Page When loaded into Adobe Premiere Pro, the specified arbitrary map is applied to the clip or to one or more channels of the clip, depending on how it was created.

If you do not select an arbitrary map, Adobe Premiere Pro applies the Original image B. Blue color keyed out C. Image on second track D. This effect modifies only the alpha channel of a clip.

The resulting color is never brighter than the original. At low values, this effect reduces noise. Note: The Threshold slider gives greater control for values between 0 and —the most common range for images— Specifies how you animate noise. You can rotate your image around horizontal and vertical axes and move it toward or away from you. With Basic 3D, you can also create a specular highlight to give the appearance of light reflecting off a rotated surface.

Edge locations are determined by the alpha channel of the source image. Unlike Bevel Alpha, the edges created in this effect are always rectangular, so images with nonrectangular alpha channels do not produce the proper appearance. If Regular is chosen, the Color Influence control is disabled. The control specifies sharpness for any of the Plate or Crystallize options. The default None mode renders the checkerboard pattern only.

Circle effect The Circle effect creates either a customizable solid circle or ring. In addition to width and height, you can specify the thickness, softness, and color of the ellipse.

Render this grid in a color matte or as a mask in the alpha channel of the source clip. This effect is good for generating design elements and mattes within which other effects can be applied.

Brightness Specifies a location for the center of the flare. Flare Center Selects the type of lens to simulate. Page The Paint Bucket effect is a non-destructive paint tool that fills a selected area with a solid color. It works much like the paint bucket tool in Adobe Photoshop. Use Paint Bucket for colorizing cartoon-type outlined drawings or replacing selected areas of color in an image.

This value is based upon the option Tolerance chosen in the Fill Selector menu. Higher values expand the range of similar pixel values that the effect fills. Lower tolerance values restrict that range. Higher settings produce larger glows Glow slider and can cause very slow processing before playback or export.

The Color Emboss effect has the following settings: Specifies the apparent direction in which the highlight source is shining, in degrees. If you choose an option that uses color, such as Edge Type Photocopy Color, specify the color using the Edge Color control. For example, two identical states of the fractal will not appear the same if viewed with different Size or Offset settings. For example, you can simulate the writing of cursive text or create snakelike movement for a stroke. Using the Write-on effect, you can animate the brush size, color, hardness, and opacity of a stroke.

It has a variety of uses, from a simple visual echo to streaking and smearing effects. This effect is visible only when there is motion in the clip. By default, any previously applied effects are ignored when you apply the Echo effect. Page Transform Effects Use the slider controls to crop each edge of the clip separately. You can crop by pixels or image percentage.

Page Transition Effects The Ramp effect is a good starting point because it can generate a variety of grayscale gradients. To make completely custom gradients, paint them in a program such as Adobe Photoshop, or draw them in a program such as Adobe Illustrator. The gradient layer must be in the same sequence as the clip to Gradient Layer which you apply Gradient Wipe. Computers represent colors as combinations of red, green, and blue. Consumer video equipment repre- sents colors using different composite signals.

Page Audio Effects Most of these effects are available for mono, stereo, and 5. This effect is available for 5. The Bandpass effect has the following options: Specifies the frequency at the center of the specified range. The Delay effect has the following settings: Specifies the amount of time before the echo plays. Gain Changes the functionality of the filter from shelving to cutoff. Specifies the width of each filter band between 0. For example, use this control when Formant Preserve increasing the pitch of a high voice to prevent it from sounding cartoon-like.

Reverb effect The Reverb effect adds ambience and warmth to an audio clip by simulating the sound of the audio playing in a room. Page An alpha channel provides a way to store both images and their transparency information in a single file without disturbing the color channels. When you view the alpha channel in the After Effects Composition panel or the Adobe Premiere Pro Monitor panel, white indicates complete opacity, black indicates complete transparency, and shades of gray indicate partial trans- parency.

You can also ignore an existing alpha channel and use Adobe Premiere Pro transparency effects to create a new one. When you view the Page Clips on upper tracks cover clips on lower tracks except where alpha channels indicate transparency. Adobe Premiere Pro composites clips from the lowest track up, and the final video frame is a composite of clips on all visible tracks. In the Effect Controls panel, click the triangle next to the Opacity effect to expand its settings.

Page Cutoff slider; doing so inverts gray and transparent pixels. Specifies the amount of anti-aliasing that Adobe Premiere Pro applies to the boundary between trans- Smoothing parent and opaque regions. Anti-aliasing blends pixels to produce softer, smoother edges. Choose None to produce sharp edges, with no anti-aliasing.

Black represents transparent areas, white represents opaque areas, Mask Only and gray represents partially transparent areas. Page Choose Green or Blue to remove a residual edge from green-screen or blue-screen footage, respectively. Specifies the amount of anti-aliasing softening that Adobe Premiere Pro applies to the boundary Smoothing between transparent and opaque regions.

This option is useful when you want to preserve sharp lines, such as those in titles. You can use matte keys to create superim- positions, including traveling mattes. Page Broadens or reduces the range of color that will be made transparent. Higher values increase the range. Similarity Specifies the amount of anti-aliasing softening that Adobe Premiere Pro applies to the boundary Smoothing between transparent and opaque regions.

Changes appear in the Preview view of the Program Monitor. In the Choose Name dialog box, type a name for the new matte and click OK. The matte appears as a still image in the Project panel. Page About export When you have finished editing, you can export the final sequence in the form best suited for your viewing audience.

When exporting from post-production software, you must determine the file settings appropriate to the film stock you will use, or decide how to best translate your editing decisions to film. However, because DVD media, recorders, and players are widespread and affordable, the demand and support for the VCD format is not as great as it was initially.

Page For this reason, there are numerous codecs designed to make video web-friendly. Many formats employ the following technologies Page The codec you use must be available to your entire audience.

For instance, if you use a hardware codec on a capture card, your audience must have the same capture card installed, or a software codec that emulates it. Exporting to videotape or DVD Exporting to videotape You can record your edited sequence onto videotape directly from your computer.

Alterna- tively, you can use compatible third-party device control that enables Adobe Premiere Pro to operate recording devices not supported by the built-in settings. For many decks, frames 5 seconds is sufficient. You can use one of the standard Export commands or you If you export marker data and specify a marker as a chapter point in Adobe Premiere Pro, Encore DVD recognizes the chapter point so that you can easily create links to it as you author your DVD.

Page When you export a still-image sequence, Adobe Premiere Pro numbers the files automatically. Page Specify a location and file name, and click OK.

If you want to cancel exporting, press Esc. Note that it may take several seconds to complete the cancellation. Page Choose whether to include a project link in the exported file. When a file contains project link Embedding Options information, you can open and edit the original project from within another Adobe Premiere Pro project or from another application that supports the Edit Original command.

Select Project from this menu to embed the link infor- mation in the exported file; Selecting this option can save disk space if you used still images. Deselect this option only if the exported video file exhibits playback problems when displaying the still images. Page Adobe Media Encoder Increasing the value lets Adobe Premiere Pro store longer audio segments that need to be processed less often, but higher interleave values require more RAM. The Source panel allows you to see the source video and apply cropping options interactively.

Page In a clip, set an In point and Out point. In the Adobe Media Encoder Export Settings area, specify the following options: Specify the type of media file you want to export. Page To exclude video or audio from the exported file, deselect the appropriate option in the Export Settings panel.

Page In the Adobe Media Encoder, choose the format and preset you want to export. Alt-click the Save Preset button Choose the location to save the preset, name it, and then click Save. Adobe Premiere Pro saves the preset as a. Video settings include some or all of the following options: Specifies the codec used to encode the video from those available on your system. The exact options available depend on the MPEG format you choose.

This format is the most widely accepted and most robust of the EDL formats. Page AAF is a widely recognized file-exchange standard for video editing.

For a table of supported transitions and effects, see the Adobe website. About Project Manager The Adobe Premiere Pro Project Manager can help facilitate an efficient workflow by performing two functions: reducing the storage needs of a project, and consolidating the files associated with a project.

Page Include Audio Conform Files new project. When not selected, the new project occupies less disk space, but Adobe Premiere Pro conforms the audio again when you open the project. Adobe Reader is available as a free download from the Adobe website. Page DVD. For best results, make sure that you capture or record following these specifications: NTSC standard x or PAL standard x If your project uses a different frame size, Adobe Frame size Premiere Pro scales it automatically.

Page Dvd Markers A button is added to the menu that corresponds to each main menu marker. If the main menu does not contain enough main menu marker buttons, Adobe Premiere Pro duplicates the main menu and adds a Next button on the primary main menu.

Adobe Premiere Pro uses scene markers to create a scene submenu, which is accessible from the Scene Selection button on the DVD main menu. If you have no scene markers in the sequence, Adobe Premiere Pro omits the Scenes button and the scenes submenu. Page Optional To create motion buttons that play the video in the menu button, select Motion Menu Button. Click OK.

Adobe Premiere Pro adds the marker to the Timeline panel. A main menu marker is green; a scene marker is blue. Each template includes a main menu and scene selection submenu.

The templates automatically link menu buttons with DVD markers you place in the Timeline panel. You may have to select the triangle next to Text to see the text attribute options. Video drop zone B. Audio drop zone Note: When both video and audio are set and you replace one of the clips, the other clip remains set. Specify settings in the Effect Controls panel: Sets the background to the original template background.

Use the navigation controls in the Preview to select each button and view each scene or video. Page Status may need to reduce your quality setting. Specifies the number of copies of a DVD to burn. As each disc is completed, Adobe Premiere Pro asks you Copies to insert another disc until all of the discs you specified have been burned. Page Finding and customizing keyboard shortcuts About keyboard shortcuts Adobe Premiere Pro provides a set of keyboard shortcuts.

Because many commands and buttons have keyboard equivalents, you can edit a video program with minimal use of the mouse. You can also create or edit keyboard shortcuts by using the Keyboard Customization command. Page Selecting a shortcut Note: Some commands are reserved by the operating system and cannot be reassigned to Adobe Premiere Pro. Additional shortcuts appear in the table below. Page This is not a complete list of keyboard shortcuts. This table lists only those shortcuts that are not displayed in menu commands or tool tips.

Page Index Adobe Stock Photos panning and balancing Save As command, behavior See also Stock Photo accounts saving projects about 56 suppressing linked clips in Adobe buying 59, 60 AAF format Premiere Pro comps 59 about unlinking compositions See AVI downmixing importing and exporting 81 format editing in Adobe Audition recapturing using 86 audio volume exporting setting up 80 Audio volume property extracting See Adobe Bridge capacity Monitor brightness exporting to dragging to Timeline panel adjusting exporting VCD to See Adobe Color Picker Effects and Adobe Premiere files prior to export Pro Color Replace effect , freeze frames copying and pasting color safe levels.

Page 7 duplicate clips previewing SDK documentation 7 Duplicate command 47 types of device control duration Dynamic Link. See Adobe Dynamic Link about 68 about Dynamics effect capturing with 68 default transitions capturing without See Adobe Encore labeling 48 , locating 28 using preset settings EQ effect See still images Page Reference Rate Stretch tool Monitor effects rating files, in Bridge 49 playback in Adobe Store 8 Razor At Current Time Indicator setting audio units in command point text time controls 99 Razor tool Page 8 panel adjusting in Effect Controls scripting guides Set Matte effect panel Adobe Bridge 50 Set Out button , adjusting in Timeline panel scrolling Set Sequence Marker command Rotation property Timeline panel Page 88 subwoofer updating 2 changing duration 88 summary keyframes Solarize effect exporting support documents, in Adobe Help Solid Composite effect Center 3 importing 88, 89 Solo button support options.

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